All wars are the same. They are seeded by the egos, jealousies and insecurities of individuals. Neither the ancient Kurukshetra war nor the ongoing Ukraine war is an exception.
Listen in to the story of how vendetta between two individuals, who were once friends, set off an uncontrollable chain of events that proved to be catastrophic to all of humanity.
The river Sarasvati finds wide mention in the Rig Veda. The Mahabharata is not far behind as it dedicates an entire sub-parvan to the tirthas or pilgrimages on the banks of the river.
But was the river Sarasvati a real river that flowed in the Indian sub-continent?
Or, was it a river reconstructed from a much more ancient past?
What does the Mahabharata say about the Sarasvati?
And more importantly, how did the river become the Goddess of Speech?
The questions are endless….the answers, a mere click away!
The stories of discrimination that characters like Karna and Ekalavya faced in the Mahabahrata are well known.
But equally well known are the birth stories of Vyasa and Vidura who were born to mothers from a lower social strata of the society, but were nevertheless revered and respected for their ability.
So, what was the epic’s stance on the questions of ability vs. birth and purity of birth?
Do watch the video to find out!
Mahabharata the epic has captured and held the imagination of Indians for over two millennia.
The epic has inspired scores of literary works over the years. So, it’s hardly surprising that the epic also inspired several sculptors to tell its story in stone.
Proud to present some stories from the epic that found expression in the temples of Belur and Halebidu.
Vyasa’s Draupadi, despite being bold and beautiful, is often a victim of her circumstances.
But for a few people living deep down the south of India, Draupadi is the supreme goddess, untouched by any ugly episodes in her life.
For them, she is both a war goddess who blesses her devotees with victory in war and a guardian deity who bestows on them a peaceful domestic life.
Watch the video for a complete story on the worship of Goddess Draupadi Amman!
(A 5-minute read)
The Shanmatha traditions
Hindu religion, as we know it today, is mostly an aggregation of what used to be six independent sects called the Shanmatha, which included the worship of the Sun (Saura), Vishnu (Vaishnava), Shiva (Shaiva), Kumara or Skanda-Karthikeya (Kaumara), Devi (Shakta) and of course, Ganapati (Ganapatya).
The Missing Deity of the epic
The third and the fourth parvans of the Mahabharata namely the Vana parvan and the Virata parvan refer to the worship of many of these deities. But there is one deity, whose worship references are conspicuously absent in the epic. Which deity is that?
Let’s first start with the deities that the epic knew.
Vishnu: As everyone knows, Krishna, considered an avatar of Vishnu, plays an overarching role in the epic. The Bhagawad Gita clearly presents Krishna, the incarnation of Vishnu, as the supreme god.
That is not to say the other equally large Shaivite tradition does not find representation in the text.
Shiva: References to Shiva can be found in the Vana parvan where Arjuna performs a penance to please Shiva and obtains divine weapons such as the Pashupathastra from him. Of course, who else, but the destroyer God, to grant Arjuna weapons of mass destruction!
Shakti: While Shakti, as Parvati, does make a cameo appearance in the Pashupatastra episode of the Vana parvan, she finds greater representation in the Virata parvan. Just before the Pandavas enter the kingdom of Virata to complete the last year of their exile incognito, they pray to Durga, the goddess of war. The Pandavas, led by Yudhishtra, sings praises of goddess Durga seeking success in their mission. She appears before them and blesses them with successful completion of the incognito year without being recognised by the Kauravas and eventual victory over them in the war.
Surya: While in exile in the forest, Yudhishtra is faced with the responsibility of not just feeding his brothers and their wife, Draupadi, but with also ensuring that all the Rishis and Brahmins who have followed him into the forest are fed. So, he performs several austerities to the Sun god, Surya, who blesses him with the Akshaya patra, the vessel that ensured unending supply of food for the Pandavas and their retinue through their stint in the forest. Yudhishtra knew very well, which God to please, when it came to asking for bountiful food!
Karthikeya: The story of the birth of Skanda, the son of Shiva, his childhood exploits and his slaying of Tarakasura are narrated by sage Markandeya in detail in the Vana parvan. Stories about the exploits of Karthikeya, the war God, may have inspired the Pandavas to prepare themselves for the impending war.
Thus, we find that the epic, through its period of evolution, accommodated several existing and emerging religious sects in the form of stories about their chief deities. All deities of the Shanmatha, except one!
So, which deity is absent from the epic’s narrative?
It is Ganesha!
Why are there no stories about his worship in the epic?
Mystery solved
One reason may be that for a long time, Ganapati worship was concentrated in the Western parts of India where he was considered a farmer’s god. Ganapati worship became more mainstream and widespread only around the 5-6th century CE by when it started to emerge as a large and independent sect. Interestingly, by this time, the Mahabharata, as a text, had more or less completed its period of evolution and had reached its final written form. That can explain why stories of Ganesha did not find themselves into the epic.
However, as the worship of Ganesha became popular over time, his devotees could not be disappointed. So, the story about how Vyasa requested Ganesha to be his scribe while composing his magnum opus, was inserted as a frame story in a later-period manuscript, written in Devanagari and belonging to India’s North-Central region.
Who knows? The clever interpolator who inserted the story, may have been a Ganpati devotee himself. But as an elephant-headed God of wisdom, he could not have found a better scribe to pen down Vyasa’s magnum opus!
Om Ganeshaya Namaha!
For more on the Vyasa and Ganesha story, watch this 2-minute video!
The Mahabharata is narrated for the first time at a horrific snake sacrifice conducted by Arjuna’s great grandson and Abhimanyu’s grandson, Janamejaya.
But how does the snake sacrifice relate to the core story of the epic? How does the Sarpa Sattra or the snake sacrifice set the perfect context for the epic?
Click to find out!
There are many stories and events in the Mahabharata that appear to contradict each other.
Some stories urge us to embrace life, while some other suggest we give it up. Some stories recommend rituals while some others point to their futility.
Why does the epic present such contradictory ideas ? And how do we understand them?
Listen in to know the how and the why and also find the secret thread that binds these varied ideas together to make the epic work like a single, unified text!
Is this a trick question?
No!
Everyone knows that the Mahabharata is an epic! The longest poem of the world! A great piece of world literature!
But how many of us actually know about the nature of the epic?
Apart from the core narrative of the rift in the Kuru family, the epic has several layers of content containing long discourses on politics and statecraft, several teachings for the common man to help him lead his everyday life, detailed descriptions on various religious doctrines and last but not the least, the crest jewel of Indian philosophy, the Bhagawad Gita.,,,,
Phew! That was a long list….Oh! Wait! Don’t forget the 67 sub-tales called Upakhyanas and hundreds of small and big fables, parables, folklore, myths and legends!
Because of its vast size and extreme complexity of its contents, the epic has even been described as a monstrous chaos!
So, is the Mahabharata something like this?
No! Say those who have studied the epic in-depth and seen its underlying patterns. They say, the Mahabharata is like the banyan tree….
Why? How?
For answers, click the video link!
Kulture Katha 