Arjuna, the iconic hero of the Mahabharata

The Mahabharata refers to Arjuna using 14 different names. One of which is Savyasachi.

Do you know what the name means?

Watch the YouTube video for the answer and to know what makes Arjuna the iconic hero of the epic.

Vyasa’s Ramayana(?) – Rama’s story as found in the Mahabharata

The story of Rama had such universal appeal that it is even found in the Mahabharata.

But what is interesting is that Ramopakhyana, as it is called, is very different from the Valmiki version familiar to us.

How?

Listen in to find out!

Mahabharata and the Ukraine War

All wars are the same. They are seeded by the egos, jealousies and insecurities of individuals. Neither the ancient Kurukshetra war nor the ongoing Ukraine war is an exception.

Listen in to the story of how vendetta between two individuals, who were once friends, set off an uncontrollable chain of events that proved to be catastrophic to all of humanity.

Drona’s cruelty to Ekalavya

Why did Drona refuse to teach Ekalavya?

Was it because Ekalavya was not a Kshatriya? Because Ekalavya was supposedly a low-born compared to his other students?

Why did he extract a bloody sacrifice from Ekalavya?

Check the video on one of the most debated issues from the Mahabharata!

Mahabharata in Stone

Mahabharata the epic has captured and held the imagination of Indians for over two millennia.

The epic has inspired scores of literary works over the years. So, it’s hardly surprising that the epic also inspired several sculptors to tell its story in stone.

Proud to present some stories from the epic that found expression in the temples of Belur and Halebidu.

Of dominating fathers and submissive sons in Indian stories…

King Yayati wanted to enjoy the pleasures of life for long and demanded that his sons trade their youth for his old age. Puru, his youngest son, satisfied his father’s lust for life by sacrificing his youth.

King Shantanu fell in love with a fisherwoman at an advanced stage of his life. His son, Devavrata, ensured that his father’s desire was satisfied even though it meant he would have to sacrifice his kingship and sex life forever!

Why do we find dominating fathers and submissive sons in Indian stories?

The Riddles of Vyasa

There are several difficult expressions and riddle-like verses in the Mahabharata. They are called the Vyasa Kutas.

Legend has it that it is these difficult Vyasa kutas that made Lord Ganesha pause and ponder over while writing down the great epic.

But, the story of Ganesha writing down the Mahabharata serves a larger purpose.

Click the link to know the whole story!

Mahabharata Series -2 | Contradictions in the epic

There are many stories and events in the Mahabharata that appear to contradict each other.

Some stories urge us to embrace life, while some other suggest we give it up. Some stories recommend rituals while some others point to their futility.

Why does the epic present such contradictory ideas ? And how do we understand them?

Listen in to know the how and the why and also find the secret thread that binds these varied ideas together to make the epic work like a single, unified text!

Women Heroes in the Mahabharata

Damsels in distress and knights rushing to rescue them from the clutches of wily witches, scheming step-mothers and dangerous dragons has been the common theme of most fairy tales from our childhood.  These stories from medieval Europe have largely presented women as delicate, helpless beings, incapable of defending themselves, and waiting for a valiant prince to arrive and liberate them from their miserable existence.

Surprisingly for a patriarchal society, this theme of men rescuing women is quite rare in Indian mythology, other than, of course, the famous story of Rama who goes out in search of his kidnapped wife.

On the contrary, Indian mythology is full of stories of women who go all out to rescue their lovers or consorts, with or without their shining armour. These women often save their beloveds from tricky tribulations and sticky situations, accompany them to the warfront, and at times even bring them back from the dead. 

And the Mahabharata, unlike any other work of world mythology, is replete with stories of women champions. Here are some stories of gutsy women who displayed enormous valour in their quest to bring back their loved ones from the brink and beyond of disaster. What is interesting about these stories is that, unlike men, these women chose to rely entirely on their moral courage, wit and wisdom rather than swords and daggers to assist them in their quest.

Ulupi

Let’s begin with Ulupi, who revived her dead lover Arjuna with the Mrithasanjivani gem. As Arjuna lay dead, killed by his own son Babruvahana owing to a curse of the Vasus, it was Ulupi, Arjuna’s Naga wife, who summoned the jewel of the Nagas, placed it on Arjuna’s chest and brought him back to life. According to one version of the story, Ulupi plotted the entire drama of the son killing his father in order to redeem Arjuna from the curse of the Vasus for having slain their brother, Bhishma.

Shachi/Indrani

Shachi or Indrani, Indra’s consort, was yet another courageous woman, who was believed to be the source of Indra’s powers. Once, after having killed the demon Vritra treacherously, Indra was so overcome with guilt and shame that he fled Amaravathi, and hid himself in the stem of a lotus in a pond so far away, where he could not be found by other gods.

Unable to find Indra, the gods replaced him with a human, Nahusha. Unfortunately, Nahusha turned out a bad choice as he harassed the gods and the sages, and also tried to persuade Shachi into marrying him.However, clever Shachi managed to get rid of Nahusha by having sage Agasthya curse him into becoming a serpent. She also sought out Indra and convinced him to come out of his hiding and resume his position as the lord of the Devas. Thus, Shachi not only saved her husband from eternal damnation and but also became a kingmaker of sorts, giving back the Devas, their leader.

What makes Shachi’s story interesting is that, in her search for Indra, she is described as having undertaken a long and arduous journey, navigating high mountains and deep seas through darkness and difficulties, very similar to the journey undertaken by Joseph Campbell’s hero.

Damayanti

Equally critical was the role of Damayanthi in tracking down Nala, her husband, who had been banished from his kingdom and forced into hiding. Damayanthi hatched a clever plan to track down Nala. Using a difficult riddle which only Nala could solve, she traced him to King Rituparna’s court. There, Damayanthi’s messenger spread false news about her second swayamvara. Hoping to prevent Damayanthi’s remarriage, Nala rushed to her, and was thus reunited with his family.

Savitri

Of course, the list of heroic women from the Mahabharatha cannot be complete without the mention of Savithri, who got none other than the Lord of Death to rewrite the destiny of Satyavan, her beloved. After Satyavan’s death, Savithri followed Yama over long distances on his journey to the land of the dead, till he was forced to yield to the persuasive Savithri and agree to return Satyavan alive to her.    

To conclude, it would be unfair to dismiss these mythological women as pativratas, to be lauded merely for their sexual fidelity. It is feminine nature to fiercely protect the loved ones, whatever the cost! And loved their men, these women did! To the extent of even choosing them over gods (Damayanthi) and mighty kings (Savithri) sometimes!

More importantly, like Campbell’s hero, many of these women (Savithri, Shachi) stepped beyond their conventional role, crossing the threshold from the ordinary into the extraordinary, thus undergoing a significant transformation in their personalities in the course of their quest.

In light of these stories, maybe our perception of Indian mythology as having no female heroes needs a serious rethink!

Click the link to listen to the stories of the Panchakanyas, who were as bold as they were beautiful!

Mahabharata Series 1 | What is the Mahabharata?

Is this a trick question?

No!

Everyone knows that the Mahabharata is an epic! The longest poem of the world! A great piece of world literature!

But how many of us actually know about the nature of the epic?

Apart from the core narrative of the rift in the Kuru family, the epic has several layers of content containing long discourses on politics and statecraft, several teachings for the common man to help him lead his everyday life, detailed descriptions on various religious doctrines and last but not the least, the crest jewel of Indian philosophy, the Bhagawad Gita.,,,,

Phew! That was a long list….Oh! Wait! Don’t forget the 67 sub-tales called Upakhyanas and hundreds of small and big fables, parables, folklore, myths and legends!

Because of its vast size and extreme complexity of its contents, the epic has even been described as a monstrous chaos!

So, is the Mahabharata something like this?

No! Say those who have studied the epic in-depth and seen its underlying patterns. They say, the Mahabharata is like the banyan tree….

Why? How?

For answers, click the video link!