The farmer either sowed his own seed or let someone else’s seed be sown in his field. Either way, the output from the field belonged to the farmer.
That was the logic behind the Bija Kshetra nyaya, the seed-field metaphor that defined the relationship between man, woman and their heirs.
Click the link to know why knowing this rule is important for understanding the key predicament in the epic!
Also: Birth of Pandu & Dhritarshtra
Sexual freedom of women in the epic &
How Niyoga acquired a stigma
Some of the key characters in the epic were born through an ancient custom called the Niyoga. A custom that traces its origins to a Rig Vedic ritual and a myth around Parashurama.
Click to know more about the Whats, the Whys and the Hows of the custom!
King Yayati wanted to enjoy the pleasures of life for long and demanded that his sons trade their youth for his old age. Puru, his youngest son, satisfied his father’s lust for life by sacrificing his youth.
King Shantanu fell in love with a fisherwoman at an advanced stage of his life. His son, Devavrata, ensured that his father’s desire was satisfied even though it meant he would have to sacrifice his kingship and sex life forever!
Why do we find dominating fathers and submissive sons in Indian stories?
Bhishma, a key character in the Mahabharata, is known for the supreme sacrifice of his sex life for the sake of his father.
But this selfless act of his changed the patriarchal nature of the Kuru clan forever.
After Bhishma, we find succession in the Kuru throne becomes matrilineal, with the Kuru throne being handed down through the mother’s bloodline.
For more on the Bhishma story, check this video!
In the Mahabharata, the entire premise of the horrific Kurukshetra war was that the Pandavas had a legitimate claim to a part (if not the whole) of Hastinapur, which they were being denied.
But did the Pandavas led by Yudhishtra have a truly credible claim to the throne?
Surprisingly, one look at the history of the Kuru clan tells us that primo geniture, which is the right to succession that comes from being the first-born, was never the norm among the Kurus.
Listen in to hear the stories of Yayati and King Bharata that tell you how, in the Kuru clan, issues of succession were decided by factors other than primo geniture!
There are many stories and events in the Mahabharata that appear to contradict each other.
Some stories urge us to embrace life, while some other suggest we give it up. Some stories recommend rituals while some others point to their futility.
Why does the epic present such contradictory ideas ? And how do we understand them?
Listen in to know the how and the why and also find the secret thread that binds these varied ideas together to make the epic work like a single, unified text!
The idea of a the dancing god is unique to Indian culture. And Nataraja is believed to be the king of dance.
This video explores the mythological, cosmic and spiritual symbolism hidden in the iconography of Nataraja. It also features two classical renderings of Shiva’s dance.
Kulture Katha 