All wars are the same. They are seeded by the egos, jealousies and insecurities of individuals. Neither the ancient Kurukshetra war nor the ongoing Ukraine war is an exception.
Listen in to the story of how vendetta between two individuals, who were once friends, set off an uncontrollable chain of events that proved to be catastrophic to all of humanity.
The river Sarasvati finds wide mention in the Rig Veda. The Mahabharata is not far behind as it dedicates an entire sub-parvan to the tirthas or pilgrimages on the banks of the river.
But was the river Sarasvati a real river that flowed in the Indian sub-continent?
Or, was it a river reconstructed from a much more ancient past?
What does the Mahabharata say about the Sarasvati?
And more importantly, how did the river become the Goddess of Speech?
The questions are endless….the answers, a mere click away!
The stories of discrimination that characters like Karna and Ekalavya faced in the Mahabahrata are well known.
But equally well known are the birth stories of Vyasa and Vidura who were born to mothers from a lower social strata of the society, but were nevertheless revered and respected for their ability.
So, what was the epic’s stance on the questions of ability vs. birth and purity of birth?
Pandu, the father of the Pandavas dies as a result of a curse on his head. On closer observation, one finds that Pandu’s life, bears some similarities with Bhishma’s life.
Both of them are forced to give up the throne or their claim to sovereignty when young. While Bhishma is forced to abdicate his kingship to fulfil his father Shantanu’s desire to marry Satyavati, Pandu is forced to relinquish his throne because the deer’s curse would never allow him to become a father and bear a successor for the throne.
Again, both Pandu and Bhishma are forced to give up their sex life. Bhishma after he swears to a strict vow of celibacy as part of his promise to Satyavati’s father, and Pandu, because of the dying deer’s curse. Both men are thus forced to lose their social status as well as their manhood and the right to have their basic human needs satisfied.
This is just one of the many recurring patterns in the epic. Explore what they are, and why events tend to repeat in the greatest story ever told.
Mahabharata the epic has captured and held the imagination of Indians for over two millennia.
The epic has inspired scores of literary works over the years. So, it’s hardly surprising that the epic also inspired several sculptors to tell its story in stone.
Proud to present some stories from the epic that found expression in the temples of Belur and Halebidu.
Yuyutsu was the second son of Dhritarashtra. Yet, he was rarely acknowledged as one of the Kaurava siblings by his own family.
The epic says he was a Maharatha, capable of single-handedly taking on10,000 warriors. Yet, like Karna, Yuyutsu chose to fight his own brothers in the Kurukshetra war.
Why?
Watch the video to find out the story of Yuyutsu from his initial years of oblivion to his final moment of glory at the end of the epic.